James Arness , Amanda Blake,Milburn Stone and Ken Curtis stars of Gunsmoke
Actor James Arness age 88 passed away in Brentwood, California from natural causes today June 3, 2011.
Mr. Arness starred in "Gunsmoke" from 1955-1975, the longest running role played by a single actor in a prime time. He held this record untill Kelsey Grammer tied the record with 20 years playing Frazier Crane in " Cheers" and "Frazier".
James Arness was born May 26,1923
He served in WWII and was wounded in his right leg.
He recieved a Purple Heart
He was 6'7"
Acting debut was in "The Farmers Daughter"
Worked for John Waynes production Company
Starred in The movie "The Thing", "Gunsmoke" for 20 years, and " How The West Was Won"
Gunsmoke was one of my favorite TV shows growing up. This show had the Hero James Arness as Marshal Matt Dillion, Amanda Blake the beautiful Miss Kitty, it was many years before I knew Miss Kitty was more than the Saloon owner. Milburn Stone played Doc, and Crazy luvable Festus played by Ken Curtis. Every week for an hour I lived in Dodge City roooting for Marshall Dillion and hoping that the beautiful red head raspy voiced lady Miss Kitty would look my way.
Rest in Peace Marshal Dillion
![]() Barbara Black cries before grabbing a roller brush and painting over part of the mural Wednesday in Valley Village. She had commissed young artists to create the artwork. (Al Seib / Los Angeles Times / April 6, 2011) |
Failing to give city inspectors the brush-off, young artists Wednesday painted over a 75-foot mural they had created after officials issued a $360 citation to the Valley Village woman who had commissioned the artwork to brighten an alley next to her home.
Barbara Black, a retired studio costume illustrator, said she reluctantly ordered the mural's obliteration after officials threatened to fine her an additional $1,925 if it wasn't removed.
The initial citation was issued last month, shortly after the mural was completed. Los Angeles Department of Building and Safety inspectors — acting on a neighbor's complaint — determined that a single word included in the fanciful swirls and other spray-painted designs turned the piece into an illegal "sign."
Black, who lives on a fixed income, used a donation from her church to pay the $360 fine and had a half-dozen young artists repaint parts of the mural, eliminating the offensive word — "like."
Inspectors then decided that the wall was no longer an illegal sign but was now an illegal mural. They warned Black that future fines would escalate.
Black said she offered to cover the mural with tarps but officials held firm. "They said they'd cite me because they'd know what is underneath the cloth," she said.
Although city leaders are looking into a policy change that would allow officials to issue permits for new wall murals, it's uncertain when or if that will occur, Black said.
"And the permit fee might be something like $10,000, which we can't pay," she said.
Youngsters used rollers to apply white exterior paint to Black's wooden alley fence.
"I took pictures of the part I painted for my portfolio," said Ivan Salinas, 22, of North Hollywood. "This is not the first time I've had my art covered over."
Alexander Garcia's roller slipped off its handle and landed with a splat on the alley pavement. "This wall doesn't want to be painted," quipped Garcia, 24, of North Hollywood.
"Instead of this, the city ought to be fixing potholes," he said. "Let the art survive."
Black said she asked if a local Graffiti Busters group could help with the paint-out but was told the mural did not qualify as graffiti. So Home Dept donated the white paint.
Others watching the white-washing agreed that the mural looked more like art than graffiti.
Augusto Bisani, who lives two blocks away, said the alley was a perfect spot for the mural.
"This style is not my cup of tea, but that's immaterial," said another neighbor, David Hernandez. "We all don't have to agree. Everything doesn't have to be on the same page."
bob.pool@latimes.com
Barbara Black, a retired studio costume illustrator, said she reluctantly ordered the mural's obliteration after officials threatened to fine her an additional $1,925 if it wasn't removed.
The initial citation was issued last month, shortly after the mural was completed. Los Angeles Department of Building and Safety inspectors — acting on a neighbor's complaint — determined that a single word included in the fanciful swirls and other spray-painted designs turned the piece into an illegal "sign."
Black, who lives on a fixed income, used a donation from her church to pay the $360 fine and had a half-dozen young artists repaint parts of the mural, eliminating the offensive word — "like."
Inspectors then decided that the wall was no longer an illegal sign but was now an illegal mural. They warned Black that future fines would escalate.
Black said she offered to cover the mural with tarps but officials held firm. "They said they'd cite me because they'd know what is underneath the cloth," she said.
Although city leaders are looking into a policy change that would allow officials to issue permits for new wall murals, it's uncertain when or if that will occur, Black said.
"And the permit fee might be something like $10,000, which we can't pay," she said.
Youngsters used rollers to apply white exterior paint to Black's wooden alley fence.
"I took pictures of the part I painted for my portfolio," said Ivan Salinas, 22, of North Hollywood. "This is not the first time I've had my art covered over."
Alexander Garcia's roller slipped off its handle and landed with a splat on the alley pavement. "This wall doesn't want to be painted," quipped Garcia, 24, of North Hollywood.
"Instead of this, the city ought to be fixing potholes," he said. "Let the art survive."
Black said she asked if a local Graffiti Busters group could help with the paint-out but was told the mural did not qualify as graffiti. So Home Dept donated the white paint.
Others watching the white-washing agreed that the mural looked more like art than graffiti.
Augusto Bisani, who lives two blocks away, said the alley was a perfect spot for the mural.
"This style is not my cup of tea, but that's immaterial," said another neighbor, David Hernandez. "We all don't have to agree. Everything doesn't have to be on the same page."
bob.pool@latimes.com